[S5E13] My Five Stages

\"My Five Stages\" is the thirteenth episode of Scrubs' fifth season. J.D. and Dr. Cox go through the five stages of grief with their favorite patient, Mrs. Wilk, who is declining in health. Elliot is faced with the truth that Keith thinks she is his booty-call, rather that he being hers. When Dr. Kelso hits Ted with his car, Ted finally gains power over Kelso with a potential lawsuit.

J.D. and Dr. Cox go through the five stages of grief with their favorite patient, who is declining in health. Carla forces Turk to go on a string of double dates, including Elliot and her booty call Keith. Elsewhere, Dr. Kelso hits Ted with his car, thus Ted finally has the upper hand with a potential lawsuit.

The anime features a majority Eurobeat soundtrack, although it does feature a few other genres in its later stages, as well as several songs by m.o.v.e. Eurobeat is a HI-NRG driven form of Italo-Disco, mostly performed by Italian artists. It was popular in Japan in the 90s and early 2000s, and has become more of a niche genre.

One of our writers, Hillary Benefiel, was on set while filming the final episode and got to witness that growth firsthand in a rather peculiar way. The last scene ever shot on The Magicians was actually the scene from Episode 510 where Eliot and Margo are in sex education class with Dean Fogg. We had to save that scene to shoot last because we needed to shave off Eliot's beard and cut his hair so he looked like Eliot from the early Brakebills days. Hillary felt as if the moment he emerged looking like young Eliot really showed just how much he changed over the years. And he did change. Quite a lot. As did all of our characters.Change is inevitable. And it's a necessary ingredient for human growth. If you think about all the changes our characters dealt with over the course of five seasons, each change played a pivotal role in their growth and led them to where they wind up in the series finale. In the end, our heroes literally made a new world. One they hope to be better than the one they knew before in Fillory. And that, taking what you've learned from your life and using it to try to better the world around you, is growing up in a nutshell.

One thing that always remains constant in life is family. And The Magicians is a family through and through. The characters became family on screen and the cast & crew became one off screen. Anyone who works in television will likely tell you: some shows feel like family behind the scenes and some just feel like work. I'm confident in saying The Magicians is and always will be a family. One example from shooting the series finale is when cast & crew had already wrapped for the season, so many of them stuck around just to hang out on set during those last few days of shooting. The atmosphere felt like a big, nostalgic family trying to spend as much time together as we could. And that pretty much sums up what it was like to work on The Magicians.While we've been telling other people's stories for the past five years, now that's part of all of our stories too. That includes those of you reading, who have followed along for five seasons with us. Let's make sure The Magicians continues to live on. Just like our heroes we've all grown to love will. So, cheers to Fillory. Thanks for the memories. And here's to Further.

The season was the last for Leonard Nimoy, who felt out of place as a replacement cast member and was frustrated by the character of Paris, or lack of one, as well the general direction of the show and his own career. Paris, like Rollin Hand before him, wasn't really much of a character, since their entire character was to play other characters. Although one episode explained a bit of his backstory, and another hinted that he still worked as a stage magician (or, given the costume, murdered East End prostitutes) part-time, there wasn't really room for character development the way the show was structured. Nimoy convinced Paramount to let him out of his five year contract, and once the season was over, starred in a few movies and plays, and studied both still photography and directing, two pursuits he found acclaim in.

4. Serena Finds SerenityForget about her insight into Blair's psyche and her wise decision to inform Chuck about \"the pact\" -- Serena proved that she's finally (and it's long overdue) grown up enough to be honest about her feelings with Dan, and, more than that, not to expect anything from him in return. Serena's worst fear is probably a Dan and Blair relationship, but she behaved with surprising grace this week. I do wonder how she'll react when it emerges that Blair ran off with Dan -- just as Chuck predicted -- depending on how things play out next episode; but I always approve when S displays a little more self-awareness than we're used to, since she's probably the character who has evolved the least out of our core fivesome.

Previously, Spampinato appeared opposite Matt Damon, Christian Bale and Caitriona Balfe in the Oscar-winning drama \\\"Ford vs Ferrari,\\\" directed by James Mangold. She is also known for her starring role as Flavia in Paramount Pictures' Italian blockbuster \\\"Il Giorno Più Bello Del Mondo,\\\" opposite Alessandro Siani. The film was in the top five highest-grossing Italian movies of 2019. 59ce067264

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